Five minutes with.. The Feud stars Jill Halfpenny and Rupert Penry-Jones

THE FEUD McCarthy Holden News item

Most of us have experience with annoying neighbours. Whether it’s inexplicably always living next door to someone who loves listening to drum and bass at 11 o’clock at night or dealing with quibbles over whose responsibility it is to fix a broken fence panel after an unruly storm, dealing with residential annoyances is part of daily life.

However, new drama The Feud explores what happens when neighbourly disputes get kicked up a notch. The 5 drama, which stars Waterloo Road and The Cuckoo’s Jill Halfpenny and Spooks’ Rupert Penry-Jones as Emma and John Barnett, follows a couple living in peaceful suburbia as plans for a kitchen extension have disastrous consequences.

(By Rachael Davis, PA Assistant Lifestyle Editor)

As objections to the Barnett’s building plans are raised, unexpected and life-threatening secrets are unearthed and Emma’s dreams of upgrading her home twist into obsessive paranoia, fear, and danger – resulting in incalculable consequences for the couple and other residents of Shelbury Drive.

Before the drama unfolds, let’s hear more from stars Halfpenny, 49, and Penry-Jones, 54, about the twists and turns of the not-so-neighbourly disputes.

THE FEUD McCarthy Holden News item
Photo: from The Feud

SO, WHAT IS THE FEUD?

JH: The Feud is a tense thriller. No one is being honest about what they’re doing or how they’re feeling, which makes for exciting television. Even my character Emma, who feels she’s deeply honest, still lies.

It’s a scenario we can all relate to, most people have WhatsApp groups, and most people have experienced neighbours having work done to their house. But where The Feud takes us is the stuff of nightmares.

RPJ: The Feud follows a microcosm of neighbours who live in a cul-de-sac and has elements everybody will connect with. In fact, when we were discussing the series, everyone had a story to tell about battles with neighbours or building disruption. Everyone will be able to relate to a street of people which can implode.

This takes situations to extremes by taking all the worst stories you might hear and combining them into one story.

IT’S A RECOGNISABLE TALE OF BRITISH SUBURBAN LIFE, THEN?

JH: With suburban life, and a street like Shelbury Drive, we all like each other until someone does something to interfere with our lives. We like each other because we’re not getting in each other’s way but the minute you play your music, park over a driveway, or your teenager brings all their friends over, there’s a problem.

In suburbia we’re all fine with each other as long as we’re leaving each other alone – that’s not friendship. If you say you love your neighbours because they don’t do anything to p*** you off, that’s a pretty low bar.

In the first episode you see how quickly the neighbours react defensively – they all profess to like each other and yet within the first episode they all become obstructive.

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THE FEUD McCarthy Holden News item
Photo: from The Feud

I THINK MOST OF US CAN RELATE TO THE COMMUNITY WHATSAPP GROUP FIASCOS IN THE SERIES…

JH: I do have a WhatsApp group and ours mainly consists of bin talk. We live in a flat in a Victorian house and the bins are regularly blown over. There are six bins per house so there’s a debate about who puts the rubbish back in the bins.

The comments by the neighbours in The Feud are very passive aggressive and it doesn’t take long to become out and out aggressive. The gloves are off and there’s no time for WhatsApps anymore.

Another fun aspect of playing Emma is she thought everyone was cool with one another – never believe the WhatsApp group, Emma!

THE FEUD McCarthy Holden News item
Photo: from The Feud

WHAT ARE THE BARNETTS LIKE AS A FAMILY?

RPJ: Emma and John are trying to fix a fault in their relationship and had planned to move home, but Emma decides it would be better to stay and do up the house. Many people, especially at the moment, would understand it’s cheaper to do up your kitchen or build an extension compared to moving and the cost of stamp duty.

However, John’s reasons for wanting to move are not as honest as he pretends. He finds himself in deeper water than intended and he’s trying to run away, so when Emma says they’re going to stay he has to go along with the decision. This compounds all the pressure he’s already feeling.

HOW DOES THE FEUD TAKE SUBURBAN DRAMA TO THE NEXT LEVEL?

RPJ: You know immediately something terrible has happened and all is not as it seems, because the series opens with the house covered in blood. That’s quite fun, and you don’t know how the story reaches that situation.

Emma, Jill’s character, is under constant pressure – as she tries to deal with one person, her phone pings with a message from her dad, and then there’s another message from the builder. The heat’s slowly being turned up underneath her.

There’s a lovely sequence in episode three where our neighbours Derek and Barbara are so angry with us, they start playing modern freeform jazz at full volume through the walls. The scene is like what’s going on inside John and Emma – they’re trying to live normally with a terrible noise in their heads…

In a way the scene reflects the whole series – they’re trying to keep in control, bottling everything up, until they just explode.

JH: I didn’t predict how it would end. I never imagined it would turn quite so gruesome, and I never expected it would go as far as it goes when it starts out in such a domestic setting.

The Feud starts on Monday, April 14 at 9pm on 5

THE FEUD McCarthy Holden News item
Photo: from The Feud

Five minutes with… Interior Design Masters’ Alan Carr

INTERIOR DESIGN MCCARTHY HOLDEN ALAN CARR

Alan Carr’s signature sense of humour has made him something of a national treasure. Outside of the comedy circuit, he’s been getting stuck into all things interior design in shows like Amanda & Alan’s Italian Job and Spanish Job, which he presented alongside Amanda Holden, and Interior Design Masters, which is soon to return for its sixth series on BBC One.

By Rachael Davis, PA Assistant Lifestyle Editor

INTERIOR DESIGN MCCARTHY HOLDEN ALAN CARR
Alan Carr, Michelle Ogundehin.

Once again Carr, 48, is welcoming 10 interior designers on the ultimate crash course, tasking them with transforming a range of spaces for discerning clients across the country, with their design creations being judged by guru Michelle Ogundehin and a bunch of celebrity guest judges.

Ahead of the show’s return, let’s find out more from the hilarious host.

ALAN, THIS IS THE SIXTH SERIES OF INTERIOR DESIGN MASTERS – WHAT KEEPS YOU COMING BACK?

I think the way they push the envelope, just keeps me excited in it. Because it is the sixth series now, and I think they need to excite me, they need to excite the designers, and I think they need to excite the audience. So that’s why I keep coming back. It’s a laugh, and it’s a giggle, you know?

INTERIOR DESIGN MCCARTHY HOLDEN ALAN CARR
Photo from Interior Design Masters With Alan Carr 56. Pictured: (l-r) John, Emma, Ese, Briony, Bradley, Rita, Ayisha, Craig, Victoria, Holly.

YOU CAN TELL YOU’RE HAVING FUN! TELL ME ABOUT SOME OF THE PROJECTS IN THIS SERIES.

We’re doing youth hostels, and then we also do a dog’s transition room at Battersea Dogs & Cats Home. We do comedy clubs up in Edinburgh. We do quirky cottages up in Portmeirion for the final, which is so surreal, so fabulous, so fantastic.

(Battersea Dogs & Cats Home) was heart-wrenching for me, because, you know, you’re trying to be on your game, and then you’ve got these dogs!

But this was really interesting though, because it wasn’t just a kennel. What they designed was (for) the dog that was transitioning from being in Battersea Dogs & Cats Home to having its new home, so they had to create a room that looked simulated like a normal room to bring them gently into: ‘You’re going to have your forever home now’. So you can imagine how emotional that was…

You’ve got a charity, a fantastic charity like Battersea Dogs & Cats Home, they’ve got what they want, but what does the dog want? And how do you stop a dog that’s nervous or angry, calming it down, ready for its new home? I mean, that is such a curveball, isn’t it, for any designer.

SOME BIG PROJECTS, THEN… HAS THE STANDARD GONE UP?

The standard has gone up, which makes it hard for me, because I do like the weird and wonderful ones, just from a comedian’s angle, where we like to go in there and someone’s gone, what the hell’s gone on here? But you find as you get people who love to do it so much, and who have clearly watched the show and want to win, the standard does go up, and you can’t really take the mick so much because they’re bloody good. Damn!

DO YOU HAVE TO BITE YOUR TONGUE SOMETIMES IF YOU SEE SOMETHING YOU FIND FUNNY OR UGLY?

Yes, I do have to bite my tongue! I do have to bite my tongue, and they don’t warn me, I go in there and what you see is what you get. I mean, you know my poker face is not the best.

I think the reason I got the job was (because) they said: ‘Alan, you are the people at home’… I’ve got no filter. It’s got me into so much trouble before. But like I said, I go in there and, you know, if they’ve painted it the colour of baby poo, then it’s baby poo! If it looks like the inside of a nappy, what can I say?

But, yeah, I try not to be too cruel… But, I mean, sometimes I can’t help myself. You know, there’s so many WTF moments and you’re going ‘really?’ But I think that’s the joy of the show.

You get people who inspire you, you go: ‘Wow, I’m going to do that in my house’, to people like: ‘Oh my God, do not come anywhere near my house!’

INTERIOR DESIGN MCCARTHY HOLDEN ALAN CARR
Photo from Interior Design Masters With Alan Carr 56. Pictured: (l-r) Ese, Victoria, Rita, Bradley, Emma, Briony, Holly, John, Ayisha, Craig.

DO THE ELIMINATIONS GET EASIER AS TIME HAS GONE ON?

Every series I say: ‘Can we just have a trap door put in?’ It’s just quicker, swifter, you know, one pull and they’re gone, and you don’t have any awkward goodbyes. Or gunging?

I just hate confrontation anyway, and it’s the worst bit when someone has to go home. And I do sit there sometimes like a child in a divorce proceedings. I just sit there with my hands between my knees looking awkward. I just hate people going home.

And of course, the longer you’re there, you know them. You know them so well, because we spend all day, whether it’s in Bristol, Glasgow, Edinburgh, we’re there. So, yeah, I mean, it never gets any easier, even though it is six series in. I mean, my toes are so curled up, I can’t bear it!

AS YOU SAY, THIS SHOW HAS YOU TRAVELLING ALL AROUND THE UK, MEETING ALL SORTS OF PEOPLE – WHAT DO YOU LOVE ABOUT THAT?

Yes, you do get to spend (time in) some lovely places, like Rye, I’d never been to before, and because it was streets, everyone in Rye came out to see the transformation, and they did something with the front of the shop. You’ll see it on the show, as the camera pans round, I think the whole of Rye was there and just gave a massive round of applause because they approved of what they’d done. So that was a real emotional moment for me, Michelle and the people, you know, you can’t get a better endorsement than that!

And then Edinburgh, went to comedy clubs, and they were actually doing up some comedy clubs that I had performed in when I was back in the Fringe, back in 2003 and 2004, so that was really, really emotional for me.

And then in the final I spent three days in Portmeirion, which is just so surreal and fabulous and everything, right on the outskirts there in Wales.

See, I’m so lucky. I get to spend time in these lovely places.

Obviously the industrial estate in Bristol with the containers – you know, it wasn’t Vegas, but you saw a different side of Bristol!

Interior Design Masters with Alan Carr returns to BBC One on Thursday, April 10 at 8pm

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